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A Leap From Expectations- Spiderman: No Way Home

1/21/2022

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by Samantha Shuma
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Spiderman: No Way Home (NWH) (Jon Watts, 2021) took the movie industry by storm by being the highest grossing solo superhero movie. Being the newest addition to the ever growing list of superhero movies, it is beating out previous films not only financially, but artistically as well. So many different creative minds have joined together to make a once in a lifetime film, and their talent comes through in every element of the production. The acting, pacing and music tie the film together into an endearing, action packed adventure.  

The review contains spoilers for Spiderman: No Way Home, reader discretion advised.

The film starts as eerie music plays, revealing the disaster left from the previous film, Spiderman: Far From Home (Jon Watts, 2019). For Peter Parker (Tom Holland), his world is turned upside down as his identity as Spiderman becomes public knowledge. Seeing how any association with him has cost his friends their futures, he seeks the help of Doctor Strange (Benedict Cumberbatch) to reverse the damage of the world knowing Peter Parker is Spiderman. The spell Strange performs goes awry, propelling those from every universe who know Peter Parker is Spiderman into their own. When these uninvited quests start pouring in from other universes, we can think of who, across infinite universes, knows Spiderman to be Peter Parker. This does come with the later discovery of Andrew Garfield (The Amazing Spiderman 1 & 2) and Tobey Maguire (the original Spiderman trilogy), we also get to experience the villains their Spiderman have faced with their own franchises respectively.
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Doc Ock (Alfred Molina) is the first character to appear. His character changes dramatically throughout the film, showing that Doc Ock isn’t evil at heart but rather under the control of a damage chip attaching his robots arms to his brain. There is a dramatic shift between how he acts before and after the chip is fixed. Molina portrays this contrays well, giving the audience hope that a villain can change for the better. Becoming a friend of Tom Holland’s Peter Parker, Doc Ock is the first and most well explored redemption arc in the film. Molina’s acting is believable and likable, making his character’s arc satisfying by the film’s end. His performance is one of many that amazed me during the film, others being Willem Dafoe (Green Goblin) and Marisa Tomie (Aunt May).

Strong actors are what make and break a good story. Of course, stellar acting cannot make up for a poorly written script. When it comes to NWH, the story and the pacing works in the actors’ favor and both the acting and story work to create a film that is character focused. By the end of the film, their universe is about to implode as an infinite number of people flood in. With stakes so large, it can be hard for audiences to grasp and relate to the scope of the situation. In many superhero movies, those kinds of stakes remove any emotional tension to be had for its story. NWH manages to show the ‘saving the universe’ plot on a smaller, more relatable scale by focusing more on the relationships and goals between characters.

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This is one of the few superhero films in recent memory where the soundtrack plays an integral role. The music in NWH sets the tone and maintains this motif of danger and excitement. As this film does draw from the other live action Spiderman franchises, it is interesting to listen to where the previous Spiderman themes have been tied into this new trilogy. This reincorperation doesn’t overshadow the original music or feel out of place when it is played. This doesn’t only come through composition but also through style. When Electro (Jamie Foxx) is introduced, the techno style music of the film he was previously in (Amazing Spiderman 2) comes forth through some new music. The music choices in Amazing Spiderman 2 (2014, Marc Webb) were generally seen as questionable by fans. This music continued to feel true to the character while also remedying fan concerns.
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A lot of smart choices have been made when it comes to how previous Spiderman properties would be referenced throughout NWH. This story could have easily been oversaturated with reference humor or exposition dumps in order for old Spiderman fans to enjoy the film while also making the film understandable for those who haven’t watched the other Spiderman trilogies. The balance between appealing to old fans while adapting to new ones is one of this film's unique challenges. Since Tom Holland’s Spiderman has never met these villains before, viewers who haven’t been introduced to these characters will be in the same situation as the film’s main character. While older fans can have a deeper appreciation for these characters and their background, there is no vital information that is missing for those who are watching a Spiderman movie for the first time. From beginning to end, each moment of the film is introduced just enough to be enjoyed by any viewer.

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Seeing how each aspect of the filmmaking process comes together, it is understandable why NWH has become one of the highest grossing superhero movies ever made. Its character focused story brings in characters from different universes as Tom Holland’s Peter Parker helps to redeem old villains who would have died otherwise. His caring heart forces a broken spell to turn into a new beginning for everyone involved. While we are left with what will happen in future films, there is also a great amount of satisfaction for how the villains of this film have been dealt with. This is all underlined with excellent music, making the film immersive and fulfilling as an audience member. NWH hits the mark as a fun action movie and as an artistic endeavor for all the creative minds involved. Whether it’s the music, acting, or story, each element of the production shows their ability to make an exciting, character driven film.
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