Existentialism in Film
The Existential Philosophy of Melancholia
The Philosophy of Camus in The Dead Don't Die
The Existentialist Subtext of Dear Evan Hansen
An Existentialist Reading of "The Turin Horse"
A Woman's Perspective: Gender, and Identity in the Romanian New Wave
Film Theory Issue 1
Film Theory Issue 2
Science Fiction Issue 2
Round Table Discussion
Articles by Category
The War Film Genre: Assessing Human Nature
The Gangster Film Genre: A Critical Perspective on the American Dream
The Boxing Film Genre: Mysteriously Romanticizing the Ring
The Christian Film Genre: A Dangerous and Pretentious Label
Dare to Live: A Review on Dallas Buyers Club
The Zombie Film: Resurrecting a Formerly Obsolete Genre
The Musical Film Genre: Capturing the Magic of the Stage on the Screen
Defining the “Cult Classic”
The Science Fiction Genre: Film’s Fascination with Speculation
If I Had Wings: A Review on Inside Llewyn Davis
The Documentary Genre: Recording Reality
The Comedy Genre: Film’s First Cinematic Movement
The Superhero Film: A Credible Genre?
The Western Genre: Dead or Evolved?
More is Never Enough: A Review on The Wolf of Wall Street
A Formula for Love: The Romantic Comedy Genre
The Found Footage Genre: An Inexpensive Tool for Horror
4D Theaters: Thinking Outside D-Box
Don't Let Go: A Film Review of GRAVITY
Filmmaking at Your Hands: Musings on the Use of Mobile Devices in the Film Industry
I Want to Live: A Review on 12 Years a Slave
3D Filmmaking: A Ploy to Make More Money or an Exciting New Frontier?
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