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      • The Existential Philosophy of Melancholia
      • The Philosophy of Camus in The Dead Don't Die
      • The Existentialist Subtext of Dear Evan Hansen
      • An Existentialist Reading of "The Turin Horse"
    • A Woman's Perspective: Gender, and Identity in the Romanian New Wave
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The War Film Genre: Assessing Human Nature

The Gangster Film Genre: A Critical Perspective on the American Dream

The Boxing Film Genre: Mysteriously Romanticizing the Ring

The Christian Film Genre: A Dangerous and Pretentious Label

Dare to Live: A Review on Dallas Buyers Club

The Zombie Film: Resurrecting a Formerly Obsolete Genre

The Musical Film Genre: Capturing the Magic of the Stage on the Screen

Defining the “Cult Classic”

The Science Fiction Genre: Film’s Fascination with Speculation

If I Had Wings: A Review on Inside Llewyn Davis

The Documentary Genre: Recording Reality

The Comedy Genre: Film’s First Cinematic Movement

The Superhero Film: A Credible Genre?

The Western Genre: Dead or Evolved?

More is Never Enough: A Review on The Wolf of Wall Street

A Formula for Love: The Romantic Comedy Genre

The Found Footage Genre: An Inexpensive Tool for Horror

4D Theaters: Thinking Outside D-Box

Don't Let Go: A Film Review of GRAVITY

Filmmaking at Your Hands: Musings on the Use of Mobile Devices in the Film Industry

I Want to Live: A Review on 12 Years a Slave

3D Filmmaking: A Ploy to Make More Money or an Exciting New Frontier?

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